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Long Live the Vortex!

from BLAST: Review of the Great English Vortex, No. 1, 7-8
20th June 1914

Long Live the Vortex!


Long live the great art vortex sprung up in the centre of this town!

We stand for the Reality of the Present – not for the sentimental Future, or the sacripant Past.

We want to leave Nature and Men alone.

We do not want to make people wear Futurist Patches, or fuss men to take to pink and sky-blue trousers.

We are not their wives or tailors.

The only way Humanity can help artists is to remain independent and work unconsciously.

WE NEED THE UNCONSCIOUSNESS OF HUMANITY – their stupidity, animalism and dreams.

We believe in no perfectibility except our own.

Intrinsic beauty is in the Interpreter and Seer, not in the object or content.

We do not want to change the appearance of the world, because we are not Naturalists, Impressionists or Futurists (the latest form of Impressionism), and do not depend on the appearance of the world for our art.

WE ONLY WANT THE WORLD TO LIVE, and to feel it's crude energy flowing through us.

It may be said that great artists in England are always revolutionary, just as in France any really fine artist had a strong traditional vein.

Blast sets out to be an avenue for all those vivid and violent ideas that could reach the Public in no other way.

Blast will be popular, essentially. It will not appeal to any particular class, but to the fundamental and popular instincts in every class and description of people, TO THE INDIVIDUAL. The moment a man feels or realizes himself as an artist, he ceases to belong to any milieu or time. Blast is created for this timeless, fundamental Artist that exists in everybody.

The Man in the Street and the Gentleman are equally ignored.

Popular art does not mean the art of the poor people, as it is usually supposed to. It means the art of the individuals.

Education (art education and general education) tends to destroy the creative instinct. Therefore it is in times when education has been non-existant that art chiefly flourished.

But it is nothing to do with "the People."

It is a mere accident that that is the most favourable time for the individual to appear.

To make the rich of the community shed their education skin, to destroy politeness, standardization and academic, that is civilized, vision, is the task we have set ourselves.

We want to make in England not a popular art, not a revival of lost folk art, or a romantic fostering of such unactual conditions, but to make individuals, wherever found.

We will convert the King if possible.

A VORTICIST KING! WHY NOT?

DO YOU THINK LLOYD GEORGE HAS THE VORTEX IN HIM?

MAY WE HOPE FOR ART FROM LADY MOND?

We are against the glorification of "the People," as we are against snobbery. It is not necessary to be an outcast bohemian, to be unkempt or poor, any more than it is necessary to be rich or handsome, to be an artist. Art is nothing to do with the coat you wear. A top-hat can well hold the Sixtine. A cheap cap could hide the image of Kephren.

AUTOMOBILISM (Marinetteism) bores us. We don't want to go about making a hullo-bulloo about motor cars, anymore than about knives and forks, elephants or gas-pipes.

Elephants are VERY BIG. Motor cars go quickly.

Wilde gushed twenty years ago about the beauty of machinery. Gissing, in his romantic delight with modern lodging houses was futurist in this sense.

The futurist is a sensational and sentimental mixture of the aesthete of 1890 and the realist of 1870.

The "Poor" are detestable animals! They are only picturesque and amusing for the sentimentalist or the romantic! The "Rich" are bores without a single exception, en tant que riches !

We want those simple and great people found everywhere.

Blast presents an art of Individuals.

illustration at the bottom of Long Live The Vortex!


 
See also BLAST-UP! by Katy Smith and babel, 2009

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